Evaluative Writing Essay

This article is based on the art of attack prevention and it aims at illustrating how security attack scenarios can be used to check the effectiveness of a system in preventing a system attack. Through the use of a system known as eSAP, the authors have made a report on how scenarios of possible attacks were selected and tested giving recommendations based on their results. The article comes in handy especially at a time where the issue on information system security is quite vital for companies to maintain. This paper analyzes the article by Haralambos, Paolo and Gordon’s article as to determine its appropriateness, usefulness and validity of the study. Throughout the study, examples and comparisons will be used to evaluate the work. Further justifications will be given for all arguments put forth. Evaluation The writer starts of the paper quite well by explaining what the paper will cover in the introduction. This gives the reader an overview of what to expect because he or she already has an idea of what the article is about (Memering’, 2008). The manner in which the introduction is done is also enticing such that the reader is encouraged to read on. Further, the authors introduce the article by referring to another article from which the current one stems from. This actually encourages the reader to desire to read the previous article. For those that cannot access it however, this is a disadvantage to them. Accordingly, it would have been wise for the writers to start with a brief history of the previously completed work so that the reader does can effectively understand where they started. Failure to do this is therefore a flaw in the paper and could impact on the desire of the reader to look at the paper. The authors make use of a real life example in the article to explain how the use of scenarios can be used to analyze the information systems design. eSAP (electronic Single Assessment Process) is assessed to using possible security attacks to establish whether its three main security features which include integrity, availability and privacy can be achieved in case of an attack (Haralambos, Paolo and Gordon, 2007). Attacks such as interruption, interception and modification were used to check eSAP. The use of an example not only makes the article more interesting to read but also enhances the understandability or the reader so that he or she can grasp exactly what the writers intend to say (Memering’, 2008). Besides this, the authors make use of a diagram for illustration. According to Memering, 2007), this is an effective way of making the readers to get the idea that the author is trying to pass across at a glance. For example, when a procedure is described in steps, the reader can actually follow these steps to and understand the described process better than when only the text was available. The article by Haralambos, Paolo and Gordon is quite useful in attack prevention. In the current times, many companies have been faced with threats of system attacks hence the need to avoid them. An example is a recent attack on Kaspersky, a major anti-virus vendor which occurred on the customer support site in February 2009 (O’Donnell, 2009). Since this paper addresses the possible ways in which systems meant to handle such cases can be tested, it is of significant importance. This paper could form a useful background for information system analysts to gauge the ability of different systems to effectively address the desired security concerns. Another reason why this article is very useful is that for every factor tested, there is a recommendation given to reduce the likelihood of the occurrence of that action in real life. For example, after testing the validity of passwords and the ability of the system to keep off intruders, the authors suggest the use of one-time passwords. Such kind of advice could be used by technicians to further enhance system security and thereby protect it from attack. This study is quite relevant in the study of information system security because it is quite unique in its own way. While other studies concentrate on showing the likely situations that are may face the security system, this paper suggests ways of testing them as well. Liu and Yu (2007) are some of the authors who came closest to doing this kind of research by analyzing the possible intentions of attackers which are also contained in this paper. They however left the research at that and did not proceed to test the scenarios. According to Liu and Yu (2007), once the attackers’ intentions are identified, the countermeasures to prevent attack can then be identified. They however fail to show the criteria that would be used to prevent attacks. Through the use of the eSAP scenario, Haralambos, Paolo and Gordon bring out the concept so well and even give suggestions on how to handle attacks. It is a good way of testing the effectiveness of a system in handling various security attacks which the management can utilize to establish which system to use in attack prevention. This is in line with what Liu and Yu (2009) suggest. According to them, a system can only be useful if it performs the job it is designed for. As an example, there is no way a system can allow every employee in a department to have a password and expect that this to be a secure way of protecting their system from attackers. This is a well researched article and it would be right to say that it is valid both in terms of facts and expressions made by the authors. Before the authors could perform the test, a set of scenarios are selected which are then put through a scenario validation procedure. This is done using software inspections so that the data validity is assured. The authors also make use of numerous sources to as backup for the study which makes the information contained valid to a large extent. Conclusion A paper that succeeds in putting across the desired message is said to be appropriate. If it is of benefit, then it is useful to the leaders. Should the paper give facts that can be evidenced then we can afford to say that it is valid. The article by Haralambos, Paolo and Gordon leaves the reader with a lot of knowledge to grasp. It is well researched using various books and the results can be said to be valid as they made use of a real life situation to test the system. The authors make the article simpler to understand through the use of examples and a diagram. The recommendations given in the paper could also prove useful to future managers and system technicians in designing strategies of attack prevention. References Liu, L. , Yu, E. , Mylopoulos, J. , (2007). Analyzing Security Requirements as Relationships Among Strategic Actors, Proceedings of the 2nd Symposium on Requirements Engineering for Information Security (SREIS’02), Raleigh-North Carolina. Memering, D. (2008). The writer’s work: guide to effective composition. New York: Prentice-Hall. Mouratidis, H. , Giorgini, P. & Manson, G. (2007). Using Security Attack Scenarios to Analyse Security During Information Systems Design. Retrieved on July 20, 2009 from http://homepages. uel. ac. uk/H. Mouratidis/Paper91_CR. pdf O’Donnell, A. (2009). Kaspersky suffers attack on support site, no apparent data breach. Retrieved on July 20, 2009 from http://blogs. zdnet. com/security/? p=2511

I Write to Discover What I Know

I Write to Discover What I Know As a blogger, I see everything that happens in my life as a possible jumping off point for an article. There are writing topics surrounding me at every moment. And yet, I sit down most weeks not knowing what I’m going to write about. I face â€Å"writer’s block† on a regular basis. How do I manage to think of something to say every week? I scroll through various topic sources such as: articles I’ve read or that someone has sent to me over the past week things I’ve learned at a conference or workshop articles someone else has written that I might want to post as a guest post client success stories and challenges, as well as business lessons from the past week Topic ideas are a dime a dozen. But how do I land upon one that strikes a chord with my audience? Sometimes I start writing only to discover that it’s a dud; and so I start over. Today’s article began when a friend sent me a link to a page of chalkboard art. I looked through the images through my default filter of â€Å"Is there a blog article in this?† When I saw a beautiful rendition of a quote by Flannery O’Connor, â€Å"I write to discover what I know,† I knew I had found a rich topic. I started thinking about a class in law school, Alternative Dispute Resolution, where I first discovered the phenomenon of â€Å"discovering what I know† by putting pen to paper. Each week we were given a choice of 3 topics and had to write a page or two about one of them. Each week, I was sure I would have nothing to write about. But write I did. I got an A. Writing doesn’t have to be academic to be a discovery process. Even writing a shopping list can help you uncover previously hidden information. So can writing a heartfelt letter to a friend. If you are someone who writes a journal, you understand that you discover surprises about yourself as you let your thoughts flow onto the page. Often all it takes to â€Å"unblock† a writer is the spark of an idea; sometimes that idea must be accompanied by a detailed framework or outline of a full essay. If someone is having a hard time writing  a resume, going through How to Write a WINNING Resume  along with one of my resume questionnaires  can do the trick. Clients often tell me that completing that questionnaire is one of the most valuable parts of working with me; they identify what they know about themselves as they start putting it into words. I would like every person faced with a writing project to know that it’s okay to start out not knowing what you’re going to write. Even if you have no clue, try sitting down and writing, even if it doesnt make sense or isn’t related to the topic. Stream of consciousness is just fine and is a great way to discover your own thoughts. You might be someone who needs to talk through ideas with another human being and nail down an outline before writing. If so, call someone (perhaps The Essay Expert) to work with you. If, on the other hand, all you need is structure, I recommend reading â€Å"how to† books such as How to Write a WINNING Resume or How to Write a KILLER LinkedIn Profile. If you are stuck on your resume, try answering the questions in my resume questionnaires so that you have guidance as you start to put your ideas to paper (or to computer). I am a frequent writer, and thus an evolving discoverer. I explore how seemingly unrelated topics connect with each other. I dive into my opinions, likes and dislikes. I find out more and more about who I am and who I am not. Flannery O’Connor was right on target, as  I hope you too will learn as you embark on this path of discovery.

Historical development of management Assignment

Historical development of management - Assignment Example Historical development of management The industrial revolution was to further impact the theory and practice of management with its new demands during the eighteenth and nineteenth centuries due to the opening of factories, which demanded new styles, and practices in order to monitor, control. The practice of managing initially fell on owners of commercial enterprises but was gradually expanded to incorporate employees who were recruited for the sole purpose of managing. The non-owner managers became more and more popular as commercial organizations grew in size and complexity. Though management as a practice according to some definitions has existed for many centuries, some written works have been thought to have great influence on modern management theories. In fact, even ancient military texts have been credited with having contributing to management practice by their emphasis on evaluating the strengths and weaknesses of one’s adversary as well as oneself. The great general Sun Tzu of China wrote of the great benefits of the correct evaluation of one’s foes and self in the â€Å"The Art of War†. Other works were written for the purpose of training and guiding leaders in the area of decision-making. Famous for Machiavellianism was Niccolo Machiavelli who is still talked of in modern management studies though in a negative sense for his promotion of mistrust of employees and class stratification based on economic and position power.

Trade balance, Exchange rate policy, Growth rate of economy in Brazil Essay

Trade balance, Exchange rate policy, Growth rate of economy in Brazil - Essay Example For the production of the commodities Brazil mainly used Slave labors for the production of the commodities. Industrialization in Brazil took place in the year 1930 and onwards. The first steel plant was built in the country in 1940.During the 1950s to 1970s other important sectors of the economy such as fertilizers, automobile, petrochemical and steel expanded. It was in this time that the growth rate of Brazil was at the record high levels in the world. During 1970s the countries in Latin America along with Brazil was a favorite destination for absorbing the excess liquidity of banks in the United States, Japan etc. As investments started flowing in there was a rapid development of the infrastructure facilities. During this period the economy of Brazil grew at a rate of about 8.4% per annum. In was during this period that per capita income of the Brazilians raised 4 fold. Trade policies in Brazil have undergone several changes in the past decade. The trade policies during the 1930s and 1940s, was characterized by great depression. During this time Brazil followed protectionist policies which isolated the country from rest of the world. The country experienced trade growth during 1960s and 1970s and this led to the opening of the doors related to agrarian and tax reforms. Several banks participated in this period to the reforms. As cheap credit was available government and private sector participated in heavy borrowing and this led to the fact that economic growth was high and unstable. Then in the 1980s as the interest rates rose sharply the accumulated debt proved to be unstable for the country and this resulted in the country going into debt crisis. This resulted in the fact that the country had to suffer almost 15 years of low growth and hyper inflation. In the 19990s there was a beginning of privatization and liberalization. As Brazil had followed protectionist policies for about half a century, this resulted in the fact that the country’s share in

Chief Executive Officers Compensation Essay Example | Topics and Well Written Essays - 2000 words

Chief Executive Officers Compensation - Essay Example The term human resource management is not new. It has been widely used by scholars and managers to refer to the set of policies designed to maximize organizational integration, employee commitment, flexibility and quality of work4. In the sections that follow, I will attempt each of the questions as requested and there after I will provide a brief conclusion. In economic literature, the significance of information asymmetries, innovation and strategic behaviour has long been recognised. There exists a considerable literature on how incentives affect a variety of management problems and the methodology for analysis of incentive problems most notably the principal agent model (Turner and Muller 2006). CEOs are paid based on the job description given to them and since in America it is often believe that, they are the leaders they want others to emulate. In addition, it always costs more to hire a new person than keep the old one. Osborne, Hyman & Jack (2006:451) substantiate further that an effective human resource policy "is not only to find competent workers but also to motivate and effectively manage them, is recognised as important for the viability of the organisation". They argued th They argued that, problems emanating from conflict of interest are virtually general to all cooperative activities amongst individuals whether or not they occur in a hierarchical fashion as suggested by the principal agent analogy Because principal and agents are utility maximisers, there is every reason to believe that the agent will not always act in the best interest of the principal (Jensen 2003:86). This attempts to draw out contractual problems that can arise as a result of agents acting opportunistically when their interest departs from those of their principal (Jensen 2003). Thus, agency theory provides us with the rational for an effective human resource management policy. Thus, if American CEOs are paid more than their Japanese counterpart, it is just their own way to handle the opportunistic behaviour of the agent. Hyman & Jack stated that Corporations in the States save twice that much every year from an even more outrageous loophole, what executive excess 2008 dubs the "unlimited tax deductibility of executive pay." Top companies can essentially

MOVEO folding electric scooter Essay Example | Topics and Well Written Essays - 2000 words - 1

MOVEO folding electric scooter - Essay Example 2013). When folded, the scooter assumes a shape not bigger than a suitcase and this makes it easy to even be transported by cars. The main objective of designing this scooter is to ensure that we have environmental friendly operating mode of transport that is affordable (Monika 2013). The core material used in manufacturing of this scooter is carbon fiber build with an organic shape design (Monika 2013). When it comes to technicality, the Moveo scooter can manage speed limit of 35 to 45 km/h since it has an in-build electrical motor with wheels with a battery that lasts over a distance of 35 km (Monika 2013). Notable to mention is the fact that the scooter takes only one hour of charging (Monika. 2013). With this information and after the piloting success, this Hungarian company scheduled for mass production to commence in the year 2014. The costing price for the scooter will be $2000 for the first year with likelihood of prices reducing in the subsequent years (Monika 2013). It is for the above stated objectives that the Antro Group Company required a marketing communication plan for 12 months which will aid in marketing and thereafter selling of the electric scooters (Monika 2013). The marketing plan should incorporate marketing communication strategies and budget of not more than $5 million which is meant to facilitate the entire marketing process (Monika 2013). It should be noted that a successful marketing communication plan is one which integrates all marketing activities (Luther 1992). These are activities that relates to one another within the company’s departments which aims at surrounding the consumer without them knowing that they are being inundated with the conveyed message (Luther 1992). To this effect, the marketing communication plan must serve as the initial foundation of the business marketing plan (Luther 1992). Our vision as Antro Group Company is to provide to the people with alternative affordable mode of transport that

Study on the Industrial Abandoned Lands

Study on the Industrial Abandoned Lands Industrial abandoned lands, ruins, eyesores, voids, derelict, urban deserts, dead zones, silent spaces, landscapes of contempt, and squats are just a few of the words that have been used to figure out the fragments of transformation within our urban spaces. They are terms that refer to spaces such as post-industrial landscapes, abandoned environments, and empty spaces in the peripheral parts of a city. Linked to the processes of decay, the terms also refer to the cultural entropy and social of our city spaces, their loss and ruin. By virtue of their neglect, ruinous state, and marginal place in the urban landscape, recent architectural and urban planning discourse has defined these spaces as contingent, interstitial, and spaces of indeterminacy. Throughout the second half of the twentieth century, many cities have witnessed the unused of significant industrial landscapes and their eventual abandonment. Urban societies, cultural and architectural history, these landscapes of indetermi nacy remain a part of the urban palimpsest. Using the metaphor of city as palimpsest and extending the notion of indeterminate spaces. It is explored the nature of contemporary city phenomena in relation to the transformation of abandoned urban spaces. Since the fall of the Nazis colonization, Oswiecim has struggled with using former factories. Under Communist force, the citys main employer, who a chemical worker, failed to develop continue with modern technology, and since 1989 over 10,000 work places have been lost at the plant. With seemingly no other choice to cultivating a grizzly tourist trade, Oswiecim is finding its past increasingly difficult to escape. In other words, Oswiecim is urban decay city falls into irrecoverable and aged, with falling population or changing population, economic restructuring, abandoned buildings, high local unemployment, separated families, and inhospitable city landscape where whole city area as fragments which is contained city memories and space qualities. trauma and discontinuity are fundamental for memory and history, ruins have come to be necessary for linking creativity to the experience of loss at the individual and collective level. Ruins operate as powerful metaphors for absence or rejection, and hence, as incentives for reflection or restoration.[3] Decay Industrial ruins are an intersection of the visible and the invisible, for the people who managed them, worked in them, and inhabited them are not there. And yet their absence manifests itself as a presence through the shreds and silent things that remain, in the objects we half recognize or surround with imaginings. In ruins we can identify that which appeared to be not there, a host of signs and traces which let us know that a haunting is taking place. The ghosts of ruins do not creep out of shady places unannounced, as they do in highly regulated urban spaces, but are abundant in the signs which haunt the present in such a way as to suddenly animate the past. Rather than being exorcised through redevelopment, these ghosts are able to haunt us because they are part of an unfinished disposal of spaces and matter, identified as rubbish but not yet cleared. Such things suddenly become animated, when the over and done with comes alive the things you partly recognize or have heard about provoke familiar feelings, an imaginative and empathetic recouping of the characters, forms of communication, and activities of factory space. In these haunted peripheries, ghosts rarely provoke memories of the epochal and the iconic but recollect the mundane passage of everyday factory life. The past isnt dead. It isnt even past.[4] The decay resides at the conceptual intersection of the individual parts of the analogy that zone created by the superimposition and superposition of essentially translucent entities. The active light of interpretation shines through these layers, as it were, illuminating significant shapes and figures. Meaning actively happens here; it is constructed as images overlap each other, aligning themselves momentarily, and then shifting slightly, encouraging reevaluation and reinterpretation. As a layered figure of depth in architecture, complexity occurs in both plan and section. As a site, the zone of meaning in the analogical system is often ambiguous. Yet, also as a site, this area has boundaries or, rather, a set largely unquantifiable of all available meanings, which is different than a boundless field of all-inclusiveness or unregulated interpretations. Trace and Time Layers with Derridas Theory The resonance of a knock on a door uncovers its density. The tactile of a wall describes its materiality. The texture of a floor may invite us to sit or lay down. The smoothness of a handrail comforts our ascent. Human skin is a powerful material that enables us to perceive and understand our surroundings. Skin is highly expressive; based on its color, texture, wear and plasticity we can read it, gathering information concerning culture, ethnic background, age, abuse, health and the tasks it performs on specific body parts. Skin itself reads as it is readable. Our skin can gather data through tactile perception and read our spatial surroundings. Architecture is an expressive act and the only discipline that stimulates all of our senses. An architect designs spaces that foresee and celebrate the bodily interaction of the inhabitant. According to Derrida, phenomenology is metaphysics of presence because it unwittingly relies upon the notion of an indivisible self-presence, or in the case of Husserl, the possibility of an exact internal adequacy with oneself. In various texts, Derrida contests this valorisation of an undivided subjectivity, as well as the primacy that such a position accords to the now, or to some other kind of temporal immediacy. For instance, in Speech and Phenomena, Derrida argues that if a now moment is conceived of as exhausting itself in that experience, it could not actually be experienced, for there would be nothing to juxtapose itself against in order to illuminate that very now. Instead, Derrida wants to reveal that every so-called present, or now point, is always already compromised by a trace, or a residue of a previous experience, that precludes us ever being in a self-contained now moment. Memory Whenever I distrust my memory, writes Freud in a note of 1925. I can resort to pen and paper. Pater then becomes an external part of my memory and retains something which I would otherwise carry about with me invisibly. When I write on a sheet of paper, I am sure that I have an enduring remembrance, safe from the possible distortions to which it might have been subjected in my actual memory. The disadvantage is that I cannot undo my note when it is no longer needed and that the page becomes full. The writing surface is used up. Memory-autobiographical and collective, each integral to the other-exists as the foundation upon which meaning is built. Memory affords our connection to the world. Every aspect of experience becomes enveloped in the process of memory. It forms our identity as individuals and it coheres individuals together to form the identity of social groups. Memory is also the thread which links the lived-in now with the past and the future: what I remember of my past cont ributes to who I am now (at this very moment) and in many ways affects what I will do in the future. Without memory, meaning building cannot happen.[5] Memory of architecture, therefore, seems to depend more on our ability to perceive the embodied situation. Moreover those situations are subject to particular catalytic moments in time-those instances in which the energies of both the container and the contained become virtually indistinguishable. The timing of those moments is uneven, poetic, and anisotropic. It would be impossible for the constituent elements of a place memory to sustain a constant equilibrium or frequency of resonance in time. It needs to be emphasised that remembering is a thoroughly social and political process, a realm of contestation and controversy. The past is constantly selected, filtered and restructured in terms set by the questions and necessities of the present. Memories are selected and interpreted on the basis of culturally located knowledge and this is further constituted and stabilised within a network of social relationships, consolidated in the `common sense of the everyday. Although practices of inscribing memory on space are enormously varied, there are undoubtedly tendencies to fix authoritative meanings about the past through an ensemble of practices and technologies which centre upon the production of specific spaces, here identified as monumental `memory-scapes, heritage districts, and museums. It is within the contingent spaces of the city where ephemeral gestures resonate, drawing our attention to the residue of the past, enticing us to rediscover their temporal value. And for me at least, ruins, like palimpsests, are traces by which we discover our urban history, and the soul of a space. As all historical narratives are subjectively woven Tapestries of pieced historical facts and events, new Histories often reveal striking discrepancies in the linear conventions of previously inscribed histories. The intention here is to piece together discrepant theoretical notions, to produce an archaeological investigation, which is consistent with the theoretical and ideological approach of Aldo Rossi. The most evocative works of Aldo Rossi are exemplary of the process of building meaning as we engage memory in our everyday experiences, thinking analogically and understanding the world tacitly by doing and making. Whether stated explicitly or not, Rossi must have sensed the necessity to temper his early polemics about a theory of design with a commitment to architecture of intense poetry, of non-quantifiable artistry, and an architecture conscious of its autobiographical significance. Underlying the rationalist tendencies of Rossis theoretical ork is a deeply felt reverence for the power of memory, both his own as well as the collective memory of a particular culture or society that is embodied in key architectural types. And the force of memory permeates his entire oeuvre to such an extent that it is almost pathological, or cultish, or verging on nostalgia, to say the least. For Rossi, the process of memory analogically suggests the evolution and morphology of the physical form of the city; and a formal language based on a typology of architecture; and, as a matter of necessity, the repetitive, obsessive, and dynamic nature of his own creative practice. However, Rossis poetic was not as self-absorbed as it may seem-or, at least, it was not ultimately meant to turn in on itself in the creation of a restrictive, self-indulgent reverie. He expected his obsession with memory to translate into his buildings in such a way that it would invigorate architecture with a new liberty, a freedom of experience and meaning similar to so many of those buildings he had discovered and cited in his early treatise, The Architecture of the City: the Palazzo della Ragione in Padua, the Roman amphitheater-turned-market square in Lucca, the tiny fishing huts along the Po River valley-buildings that, while displaying characteristics of specific types, transcended the program of those types by accommodating changing activities and uses. By analogically relating the transposition of a rchitectural types with the process of memory, Rossi was privileging meaning building with his architecture as an integral part of the built environment, especially as it governed the evolution of cities. It is how Rossi engaged the profound memories of his past. It is how he anticipated people would live with and within his buildings, seeing in those forms their own memories of an architectural past, encouraging them to reactivate those connections, those relationships in his buildings. The emergence of relations among things, more than the things themselves, always gives rise to new meanings, wrote Rossi. Perhaps, like this: Confront the built form-it reminds you of other buildings and other experiences you have had before-this new building feels familiar and established in your understanding of the given-yet, you experience this building as something different, its meaning has changed from what you thought it should be because of the change in how you use the architecture-the given is expanded, enriched with new meaning meaning building. It is how Rossi practiced architecture-by working analogically from drawings to buildings to writings, discovering relationships, exploring the sp ace where meaning happens, in between those things which can be explicitly articulated, patently expressed. Sampling to make music, people need sounds and when people cant make them yourself you find them somewhere else: in appearance there is nothing more simple.The sampler is an electronic memory that is virtually infinite, which enables sounds to be stored, from a single note to a symphony. This fund constitutes a sort of personal library, where works are reduced to an anthology of chosen pieces drawn flora the vast reservoir of musical culture. The work ceases to function as a closed opus or a melody and becomes a sum of harmonies and pre existing sounds. The sampler is thus the centre of sound memory, a centre where all metamorphoses are possible. It is an abstract place where all the sounds of the world are classified and subjected to changes. This tool simplifies the work of the DJ, who then needs only to physically manipulate the vinyl records in order to modify sounds, slowing them down, warping them or passing them into a loop. These manipulations are necessary to the construction of a du rable rhythm by the mixing of short breaks. The re-appropriation of knowledge has always been pre sent in human activity, in different forms, but the advent of the sampler has upset the pre existing metaphysical relationship between creation and memory. Indeed, by faithfully retrieving recorded pieces ready to be recombined, the memory no longer works as a catalyst. The combined effect of the dormant memory/recall binomial implements internal re-composition, a metabolism that plays on memory by default. But the sampler, on the contrary, pushes the process of fabrication to the surface, turning it into a conscious act, like collage, thus relating it to an aesthetic of superposition, medley and fusion. References Leatherbarrow. D, Mostafavi. M, Surface Architecture Skin+Bones ; Parallel Practieces in Fashion and Architecture, Thames Hudson, London, 2007 McLuhan. M, Understanding Media; The Extensions of Man, 2002 Bru E, New Territories New Landscapes, ACTAR, 1997 Herausgeber, Atlas of Shrinking Cities, HATJE CANTZ, 2004 Juhani. P, The eyes of the skin; architecture and the senses, London:Academy Editions,1996 Morphosis, Architecture and Urbanism, A+U, 1994 This quote was taken from Walter Benjamins Paris: Capital of the Nineteenth Century, cited in Sexuality and Space, ed. Beatrize Colomina (New York: Princeton Architectural Press, 1992) 74. Matthew Goulash, 39 Micro Lectures in Proximity of Performance (London and New York: Routledge, 2000) 190. Salvator Settis, forward, Irresistable Decay: Ruins Reclaimed, by Michael S. Roth (Los Angeles, CA: The Getty Research Institute for the History of Art and the Humanities, 1997) vii. William Faulkner making meaning out of the memory of architecture